Poetic Rhythm, Transformation, Esoteric Omens: Chen Ting-Shih 110th Birthday Memorial Exhibition
Taichung Art Museum Pre-Opening Exhibition

Taichung City Tun District Art Center Galleries A and B
Chen Ting-Shih, originally from Changle, Fujian, was called a “national treasure” of art by Chu Ko (Yuan Te-Hsing), a former National Palace Museum researcher. Both Lee Jiun-Shyan, former Kaohsiung Museum of Fine Arts director, and art critic Victoria Lu Yung-Chih considered him an embodiment of “art history.” As a first-generation postwar Chinese artist in Taiwan, he received an education in classical studies, along with literati calligraphy and painting. Having endured the Sino-Japanese War, the Chinese Civil War, the February 28 Incident, the White Terror, and the cultural impact of post-martial law, his life epitomized the tumultuous history of prewar China and postwar Taiwan. After relocating to Taiwan after the retrocession, Chen and his friends from the arts and cultural sector established the Modern Printmaking Society, the Fifth Moon Group, and Modern Eye, paving a new path for modern art development in Taiwan. His creative work can be broadly categorized into three categories: realistic woodcut prints, abstract expressionism, and mixed sculpture.
After gaining an international reputation and moving to Taiping, Taichung in 1981, Chen’s artistic style was indirectly influenced by his interactions with the local art community and his surroundings. His striking mixed-media iron sculptures showed remarkable vitality and ambition, elevating his artistic achievements to new heights and inspiring other creators. As a modern art pioneer in Taiwan, Chen often represented Taiwan at international exhibitions abroad. His artistic accomplishments garnered global recognition and acclaim, highlighting his significant role in the art scenes of Taichung and Taiwan.
To interpret Chen’s artistic legacy and emphasize his impact on the modern sculpture movement in central Taiwan, curator Pai Shih-Ming has been invited to curate the exhibition in collaboration with the Chen Ting Shih Modern Art Foundation. This exhibition showcases the artist’s exceptional achievements with a rich collection of nearly one hundred works, including iron sculptures, prints, acrylic paintings, ink paintings, color ink paintings, and calligraphy. It also replicates the artist’s living environment, reflecting an elegant literati atmosphere. In addition to the artworks and artifacts, an interactive digital space is created to immerse visitors in Chen’s artistic realm, participate in secondary creation, and download photos as keepsakes, making the visit even more enjoyable.

Curator: Pai Shih-Ming
Pai Shih-Ming holds a Ph.D. in Art History from Kyoto University, Japan. He is a professor in the Department and Graduate Institute of Fine Arts at National Taiwan Normal University, focusing on Chinese and Taiwanese art history, and Eastern calligraphy and painting theories.
Pai is the author of various publications, including The Peak of Day, The Calm Beyond Rain: Kinoshita Seigai, The Sound of the World: Research on the Drawings and Works in the Collection of Kinoshita Seigai (editor), “Cultural Reflections of Liberal Orientation: The Street Spirit and the Breaking-away-from-the-regime Phenomenon of Taiwanese Art in the 1980s,” “After the Abolishment of the ‘Chinese Painting’—The Formation of the ‘East Asian Cultural Community’ in Ink Paintings in the Postwar Taiwan,” “Outsider or Insider? — Analyzing the Construction of Environmental Experience in 1970s Taiwanese Landscape Painting,” “Visualizing the Concept of ‘Nation’: The National Spirit in Taiwanese War Paintings during the Japanese Colonial Rule,” and “Public and Landscape: The Public and Social Development in Taiwan’s Early Modern Sculpture.”
Artists

Chen Ting-Shih
Chen Ting-Shih (1913–2002), born in Changle, Fujian, developed a profound appreciation for poetry and literature from an early age. An accident at the age of eight resulted in his loss of hearing and speech, leading him to embrace artistic creation. After relocating to Taiwan in 1945, he became an active advocate of modern art. In 1958, he co-founded the Modern Printmaking Society, and in 1965, he joined the Fifth Moon Group. He experimented with Taiwan’s distinctive sugarcane boards for printmaking, constantly exploring new creative techniques and colors. In addition to printmaking, he excelled in calligraphy, ink painting, oil painting, and sculpture. His iron sculptures, in particular, stand out for their poetic sentiment, as he artfully transformed scrap iron into intriguing creations. In 1981, he moved to Taiping, Taichung, where he established a studio. Living alone in his later years, he dedicated his efforts primarily to iron sculpture and created numerous iconic pieces, exerting a significant influence on Taichung’s sculptural scene and the local aesthetic landscape. As a pioneer in Taiwan’s modern art history, Chen was actively involved in Taiwan’s “Modern Abstract Painting Movement” of the 1950s and 1960s. He often represented Taiwan at international exhibitions, earning worldwide recognition and praise for his artistic accomplishments. His work transitioned from focusing on classical traditions to later expressing modernity and spanned printmaking, ink painting, oil painting, and sculpture. He combined Western artistic concepts with Chinese philosophical thought, converting traditional elements into modern symbols. Consequently, his creations often exhibit a style that amalgamates the abstract and the figurative, as well as the traditional and the modern.
Top Works
Title
Homecoming
Artist
Chen Ting-Shih
Year
1996
Medium
Iron
Dimensions
155×137×52 cm
Iron
Iron sculpture